- 160cm x 170cm (69″ x 73″)
- Cotton top and back, wool wadding
- Straight line quilting, following the shape of the block, quilt as you go.
A swim in the pristine waters of The Basin at Rottnest Island provided inspiration; the sand, rocks, caverns and reef transmitting myriad turquoise shades shimmering in the sunlight.
1st place, Canberra Quilters Members’ Exhibition 2015, Bed Quilt Non-Professional
Canberra Quilters Members’ Exhibition 2015, Bernina Amateur Encouragement Award
I made a small quilt (12″ x 12″) as part of a monthly challenge with my quilting guild Contemporary Quilt Group. The inspiration for the challenge was “Inspired by a Painting”. I chose Paul Klee’s Characters in Yellow 1937. This small piece was later incorporated into a larger quilt.
I liked the effect so much, I decided to tackle a bed-sized quilt. I entered it into the WAQA guild show, but did not achieve any special notice, particularly as it did not seem to fit any category well.
When I entered it into the Canberra Quilters exhibition, it won two prizes. The categories there suited my quilt much better.
Winning the first place award meant that I have ‘professional’ status for future exhibitions within Australia.
I was happy to gift Lagoon to a friend for her 60th birthday. With very close friends, I like to give a quilt for their 60th if I think it will be well received. Other friends receive a hand-knitted pair of socks.
Homage to Rosalie Gascoigne 2014
- 153cm x 153cm (61″ x 61″)
Cotton top and back, wool wadding
Australian/New Zealand artist Rosalie Gascoigne, represented in the Australian National Gallery, New York Museum of Modern Art and others, is most celebrated for her sculptures using ‘found objects’, eg wooden fruit packing cases, roadside warning signs, discarded building materials. As far as I know, she never worked with textiles.
2nd prize, QuiltWest 2014, Theme ‘Solids’ Amateur
1st place, Canberra Quilters Members’ Exhibition 2014, Wall Quilt Non-Professional
I imagined that Gascoigne found a quilt, deconstructed and reconstructed it in the style she used with her sculptures. This quilt is the result. It is entirely new and original.
Ad Hoc – 2014
- 120cm x 122cm (4′ x 4’1″)
- cotton top and back, wool wadding
3nd prize, QuiltWest 2014, Modern
Ad Hoc was begun as a colour study and developed into an improv design with curved seams and an exercise in disguising block edges. I hated the first quilting and I pulled it all out and quilted it again. I find quilting the most difficult part of the process. This could be a baby quilt but is better as a wall hanging.
Shadow Play – 2013
- 36″ x 36″
- Cotton top, wadding and backing.
Judge’s Choice – Victoria Findlay Wolfe
The quilt was made entirely from commercial quilters cottons carefully pieced. The rings were drafted by me and rotary cut using my paper templates. I am very proud of how well this came together, though my initial design was much larger. The piecing became so difficult that I had to stop at this baby size.
Here is a detail of a difficult section. There are nine different pieces of fabric in this image, which is about 3″ square on the quilt.